17.12.07

Mangiamo! (Let's eat!)

After the show and portfolio exchange about 25 of us went for dinner at Hosteria del Bricco. Auguri!



Office gals Elena, Maddalena and Lucia:


My professor Vincenzo and me. Probably taken by Frankie. At this point I'm not remembering details. But I do remember the food was fabulous Tuscan fare, including salami, prosciutto, crostini, sformatini, farfalle, penne, vin santo with cantuccini, caffe, grappa (oh the head is starting to hurt now!)...


Tommaso drew a caricature of Manuel that's being passed over my head.


Still life featuring grappa. This is the bottle that we took away with us at the end of the evening. We walked back up the street to Rifrullo for one last caffe together as a group.

Mostra fine anno (End of year show)

Via S. Niccolo' decorated with Christmas lights and requisite scooter:


Smokers gather in front of the gallery:


Sissi's libro d'artista (artist's book). A masterpiece:


This photo's for my mom. (Thanks to my friend Melinda, for both the idea and photography!):


Me and my flatmate Francesca (and our friend Chia's back):


Matteo (Vincenzo's son and our mascot):


My fellow 'bisontino' Giorgio, my friend (and photographer for the evening) Melinda, our professor Manuel, and lab assistant Francesco:


I love these group photos:



After the gallery show we all walked to the studio and the professors handed us our cartelle (portfolios). Each student and professor printed an edition of 21 prints to create an edition of 21 portfolios, and each is a collection of one print from everyone we spent the year with.

6.12.07

Selected works

I took some quick photos after the finals of the prints in my cartellina (portfolio). I'll still need to shoot them in better lighting with a tripod for my digital portfolio and slides. (Note: the distorted lighting in the photos is a combination between a lens in need of repair and bad lighting in the studio.)

tempio di Apollo (etching, aquatint, pastel, sugar-lift, spit bite, white ground):


untitled (soft ground, sugar-lift, aquatint, pastel, spit-bite):


untitled (soft ground, sugar-lift, aquatint, pastel, spit-bite):


Calignaia (stone lithograpy):


habitat (stone lithograpy):


uccello (soft ground, etching):

5.12.07

Let me show you my book...

One requirement for our course was to create a libro d'artista (artist's book). This is a book I thought about for a while before I actually began working on it. The concept of the book is to explore the duality of the masculine and the feminine. The tool I used for this is the text written by Mark Twain in The Diaries of Adam and Eve: Translated by Mark Twain. I chose parts from the text that I was particularly drawn to on a personal level and created original prints inspired by the text.

The etchings are actually a combination of woodcut and etching, as woodcut creates bold shapes and strong lines (representing masculine) and with the etching I was able to create softer forms and textures (representing feminine). Additionally I printed the woodcuts onto Japanese paper and when I printed the etchings on top of the Japanese paper I pressed it into the German etching paper. I felt the use of these papers also conceptually added another type of duality representing east and west.

The Diaries are published in English so for this project Franka and I translated the selected passages into Italian. I decided to do the translation as the words are so important for this book, that I couldn't present it in English to an Italian audience.

I designed the text in the computer using two unique font treatments for Adam and Eve respectively. The text pages are printed on thin vellum paper, then pressed it into parchment to create a color similar to the Japanese/German paper combination. I crafted the book and sleeve by hand. In fact I've decided to make it an edition of three, so I'll be crafting two more books in the coming weeks.

Today during my presentation il direttore (director of the school) was particularly interested that the text was from Mark Twain and I explained to him that Twain actually wrote Eve's Diary while living in a villa in Settignano, just outside of Firenze. He didn't know that Twain lived here, so I shared with him that he actually lived here twice. I also told the jury that in my own way I felt that I was bringing Twain's work back to where he created it through my libro, which was a concept they seemed to appreciate. In the libro I also included a quote from Sam Clemens that I took from the afterword, from a letter he wrote to his wife before they were married. The jury asked who Sam Clemens was and I was able to share the fact that Mark Twain is a nom de plume.

Some of you know The Diaries are Don's labor of love, and I will continue to express to you that I am eternally grateful that you shared them with me!

Il mio libro d'artista, Adamo ed Eva (My artist's book, Adamo ed Eva):









Salute!

After the last student Giorgio finished his presentation, we celebrated with Prosecco in plastic cups and a bag of potato chips.


Strange couplings

After a busy few weeks in anticipation of our finals, today we finished our exams! Beginning at 9am each of the fifteen of us had to present our portfolios of prints to a jury from the region of Toscana. Between each presentation all the students had to leave the studio so the jury could discuss the works and come up with a score. I brought my camera with me today and the results of the impromptu photo sessions are quite strange. Here goes...







2.12.07

Finals week

I'm beginning finals week sleep-deprived, migraine-laden and a bit behind in my final projects. In spite of these things I'm sure all will go well. I'll return at the end of the week with an update.

In the meantime I'd like to recommend the following blogs for stories of life in Italy:

> Living in Florence by Melinda Gallo - An American moves to Florence and this is what happens...
> bleeding espresso... - and other little-known side effects of moving to Italy.
> Ms. Adventures in Italy - a stomach's tour through the Bel Paese

It's December already? Time flies when you're printmaking...